First let us look over the material from the Virginia tidewater area. Everywhere here from the southern boundary of Virginia by actual observation, north-ward even through the Delaware valley, the pot-sherds are almost identical in material, decoration and color. Holmes has appropriately called the ceramics of the tidewater “the Algonquian type.” On the Pamunkey, Mattaponi, Rappahannock, James, and Chickahominy rivers it is all the same, the rims, decorations, and ingredients being practically uniform within a certain range of variation.
The sedentary life of the Yuchi has given ample opportunity for the development of the art of making pottery. The coiled process is in vogue, but it may be remarked that the modern pots of these Indians are of a rather crude and unfinished form, which is probably traceable to deterioration in later years. The
The Choctaw have a strange superstitious belief in connection with the making of pottery. They say that no person except the one who is making the object should see it until after it has been removed from the fire. If another person chances to look on an object while it is being made or before