Religion

The Sacred Jeesukawin

The Sacred Jeesukawin: The art of prophecy, or the Jeesukawin, is practiced alone, by distinct and solitary individuals, who have no associates; who at least do not exist, and are never known as societies. Prophets start up at long intervals, and far apart, among the Indian tribes. They profess to be under supernatural power, and to be filled with a divine afflatus. It is, however, an art resembling that of the Medáwin, and founded on a similar principle of reliance, differing chiefly in the object sought. The meta seeks to propitiate events; the jossakeed aims to predict them. Both appeal to spirits for their power. Both exhibit material substances, as stuffed birds, bones, &c., as objects by or through which the secret energy is to be exercised. The general modes of operation are similar, but vary. The drum is used in both, but the songs and incantations differ. The rattle is confined to the ceremonies of the meda and the wabeno. The jossakeed addresses himself exclusively to the Great Spirit. His office, and his mode of address, are regarded with greater solemnity and awe. His choruses are peculiar, and deemed by the people to carry an air of higher reverence and devotion.

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Religion and Ceremonies of the Plains Tribes

The sacred beliefs of these Indians are largely formulated and expressed in sayings and narratives having some resemblance to the legends of European peoples. There are available large collections of these tales and myths from the Blackfoot, Crow, Nez Perce, Assiniboin, Gros Ventre, Arapaho, Arikara, Pawnee, Omaha, Northern Shoshoni, and less complete series from the

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The New Religion

About the year 1800 a new religion was introduced among the Six Nations, the exponent of which alleged to have received a revelation from the Great Spirit, with a commission to preach to them the new doctrine in which he was instructed. This revelation was received in circumstances so remarkable, and the precepts he sought

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